Chapter 5 Required Materials and Tasks
Chapter 5 Required Readings: The History of Composition Studies
- “Composition at the Turn of the Twenty-First Century” by Richard Fulkerson: College Composition and Communication 56 (June 2005): 654-687.
- “Four Philosophies of Composition” by Richard Fulkerson: College Composition and Communication 30 (Dec. 1979): 343-48.
- “Contemporary Composition: The Major Pedagogical Theories” by James A. Berlin: College English 44 (Dec. 1982): 565-767.
- “British Invasion: James Britton, Composition Studies, and Anti-Disciplinarity” by Russel K. Durst: College Composition and Communication, Vol. 66, No. 3 (Feb., 2015), pp. 384-401
- Your Teaching Vision Statement First DRAFT DUE
- Discussion Post and Responses to Chapter 5 Materials
Chapter 5 Discussion Questions
- Which philosophy of teaching composition do you find most compelling and why?
- Which philosophy of teaching composition do you find most problematic and why?
- Thinking about your own vision for teaching English, what would you name that vision? Why would you call it that?
Chapter 5 Class Activities
Peer Review: Visions of Composition Studies
One of the hallmarks of the Writing Process Movement was the introduction of peer reviews of student writing. Students were asked to read and comment on each other’s writing. This practice has become one of the foundations of contemporary composition pedagogy. The theory says that students learn to write better by reading and responding to their peers. This also draws on Lev Vygotsky’s idea of the Zone of Proximal Development.
For this course, I will put this theory into practice, what is known as Praxis (enacted theory) by having you review several pieces of your peer’s writing throughout the semester. After you get this feedback, you will have the opportunity to revise your paper and then turn it in the following class period.
Peer Review: Your Teaching Vision Statement First DRAFT
- Pair up with another student in the course.
- Trade Your Teaching Vision Statement First DRAFTS.
- Read the paper and note your thoughts, comments, and questions about it.
- Consider the following issues:
- Does the vision capture our attention in a dramatic way at the beginning? Could a story or example or quote or idea give the vision more immediate impact at the start?
- Does the vision offer something unique? The vision can be grounded on other people’s ideas, but what does it offer which feels distinct to this writer?
- Does the vision feel cohesive? Do all the parts tie together well as a group? How might this cohesion be improved? Should anything be added or cut?
- Are all parts of the vision clear? Is anything confusing? Should anything be eliminated or moved for clarity?
- Does the vision finish with a concluding thought?
- Discuss the paper with your partner.
- Revise Your Teaching Vision Statement for upload next class day.
Four Philosophies of Composition
- “Four Philosophies of Composition” by Richard Fulkerson: College Composition and Communication 30 (Dec. 1979): 343-48.
Discussion Questions: Visions of Composition Studies
Now let’s see where your Vision Statements fit within Fulkerson’s framework.
- Form a group of 4 people.
- Discuss your peers’ Vision Statements for Teaching Composition. For each one, identify which of Fulkerson’s philosophies seems best to apply to the pedagogical position your classmates are taking. Explain why you think this.
- If none of the Fulkerson’s philosophies fits, consider the theories discussed by Berlin, Durst, and Fulkerson in his later article. Discuss what theory seems to be operating in each vision statement.
- If no established theory fits, try to label the theory in your vision with a new name. Explain this naming.
- Consider adding language about this theory to your Vision Statement. You might not have given your Vision a name initially, but consider doing that now.
- Beyond the theories in your Vision Statements, which theories do the members of your group find yourself most aligned with and why?
The Major Composition Theories
- “Contemporary Composition: The Major Pedagogical Theories” by James A. Berlin: College English 44 (Dec. 1982): 565-767.
- “British Invasion: James Britton, Composition Studies, and Anti-Disciplinarity” by Russel K. Durst: College Composition and Communication, Vol. 66, No. 3 (Feb., 2015), pp. 384-401
Contemporary Composition Theories
- “Composition at the Turn of the Twenty-First Century” by Richard Fulkerson: College Composition and Communication 56 (June 2005): 654-687.
The Crisis in Education That Created Composition Studies (1975)
- Where Did Composition Studies Come From? An Intellectual History by Martin Nystrand, Stuart Greene, and Jeffrey Wiemelt: Written Communication, Vol. 10, No. 3, July 1993, pp. 267-333.
- Note: Dr. Nystrand and Dr. Greene were Dr. Pagnucci’s professors at the University of Wisconsin-Madison; Dr. Wiemelt went to school with Dr. Pagnucci
- “Why Johnny Can’t Write”: Merrill Sheils, Newsweek, December 8, 1975

- The cover story claimed that the progressive teaching approaches of the 1960s (Expressivism) had led to students not learning “proper, standard English”
- “Educational Crisis, Grammar, and How to Fight Back” Anderson
- “Why ‘Newsweek’ Can’t Tell Us Why Johnny Can’t Write”
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Suzette Haden Elgin, The English Journal, Vol. 65, No. 8 (Nov., 1976), pp. 29-35
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- A Nation At Risk, 1983
- Public policy document that claimed U.S. schools were falling behind the rest of the world, creating a national education crisis
Chapter 5 Optional Materials
- The History of Composition Studies II (Historical Moments)
- The History of Composition: Reclaiming Our Lost Generations by Robin Varnum: Journal of Advanced Composition
- The Evolution of Invention in Current-Traditional Rhetoric: 1850-1970 by Sharon Crowley: Rhetoric Review, Vol. 3, No. 2 (Jan., 1985), pp. 146-162.
- Recommended: A Teaching Subject: Composition Since 1966, Joseph Harris (Upper Saddle River, NJ: Prentice Hall, 1997).
- Review by Nedra Reynolds (the review starts near the bottom of page 521, so scroll down the page) of A Teaching Subject: Composition Since 1966, Joseph Harris (Upper Saddle River, NJ: Prentice Hall, 1997): JAC 521-525